The Blue Rider A dance in colours « ALBERTINA Museum Wien
The name "Der Blaue Reiter" referred to Kandinsky and Marc's belief that blue was the most spiritual color and that the rider symbolized the ability to move beyond. In searching for a language that would express their unique approach to abstract visual form, the artists of Der Blaue Reiter drew parallels between painting and music.
Painting by Wassily Kandinsky, 1910s. Design for the cover of the almanac The Blue Rider (1911
The Blue Rider - theartwolf Wassily Kandinsky · Der blaue Reiter Kandinsky is one of the most original and important artists of the 20th century Art, traditionally considered as the creator of abstract art. However, his first works -like this one- are tremendously interesting for being a link between postimpressionism and expressionism.
Blue Rider, 1909 by Wassily Kandinsky
Blue Rider, 1909 by Wassily Kandinsky The New Society of Munich Artists proved to be fertile ground for the dissemination of new ideas at a time when Kandinsky was seeking a new language in his art as he moved inexorably towards Abstraction, The society staged a number of exhibitions.
Edouard Vuillard Museum the blue rider Wassily Kandinsky
History Wassily Kandinsky, The Blue Rider, 1903 The forerunner of The Blue Rider was the Neue Künstlervereinigung München (N.K.V.M; New Artists' Association Munich), instigated by Marianne von Werefkin, Alexej von Jawlensky, Adolf Erbslöh and the German entrepreneur, art collector, aviation pioneer and musician Oscar Wittenstein [ de].
Aux sources de l’expressionnisme Kandinsky, Marc & Der Blaue Reiter Artpassions
A Kandinsky painting in 1903 is actually called The Blue Rider. Blue is a colour which has often seemed of special importance to artists and for Kandinsky and Marc, whose favourite colour it was, it seems to have had a mystical significance. Der Blaue Reiter was brought to an end by the First World War in which both Macke and Marc were killed.
Wassily Kandinsky the Blue Rider 1914 Fine Reproduction Etsy
The Lenbachhaus has the world's largest collection of works by the Blue Rider artists, who were leading pioneers of classic modernism. Founded by Wassily Kandinsky, Franz Marc, Gabriele Münter, Alexej von Jawlensky, and Marianne von Werefkin, the group developed an increasingly abstract visual language; unified by the artists' shared belief in a "spiritual" dimension of art.
Der Blaue Reiter (The Blue Rider) Tutt'Art Pittura * Scultura * Poesia * Musica
The 20th-century art collective known as Der Blaue Reiter translates to The Blue Rider group, and was a German Expressionist group based in Munich. The group was headed by Wassily Kandinsky and Franz Marc, alongside many other artists who shared a passion for spiritual concepts, abstraction, music, and prismatic colors to promote modern art.
The Blue Rider, 1909 Wassily Kandinsky
(The Blue Rider) Formed in 1911 in Munich as an association of painters and an exhibiting society led by Vasily Kandinsky and Franz Marc. Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism of their age.
Wassily Kandinsky, ‘The Blue Rider’, 1903, Erich Lessing Culture and Fine Arts Archive Wassily
Wassily Kandinsky (born December 4 [December 16, New Style], 1866, Moscow, Russia—died December 13, 1944, Neuilly-sur-Seine, France) Russian-born artist, one of the first creators of pure abstraction in modern painting.After successful avant-garde exhibitions, he founded the influential Munich group Der Blaue Reiter ("The Blue Rider"; 1911-14) and began completely abstract painting.
Wassily Kandinsky — Sketch for "The Blue Rider" Almanac, 1911
Der Blaue Reiter (The Blue Rider) This breakthrough work is a deceptively simple image - a lone rider racing across a landscape - yet it represented a decisive moment in Kandinsky's developing style. In this painting, he demonstrated a clear stylistic link to the work of the Impressionists, like Claude Monet, particularly evident in the.
Wassily Kandinsky — Sketch for "The Blue Rider" Almanac, 1911
About the work Wassily Kandinsky The Blue Rider, 1903 Oil on canvas 20 1/2 × 21 1/2 in | 52.1 × 54.6 cm Erich Lessing Culture and Fine Arts Archive Get notifications for similar works Want to sell a work by this artist? Sell with Artsy Artist Series Related artists
SEEING THE BLUE RIDER COLLECTION FOR REAL CHAPTER 2
The Blue Rider In 1911, while working at the Blue Rider Almanac, Kandinsky, together with a group of young Avantgardist artists, establishes an international association having the same name in Munich and Murnau. Franz Marc is one of the originators of the association, along with Kandinsky.
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Museum Art Reproductions The blue rider, Ernst Bührle Collection, Zür, 1903 by Wassily
The Blue Rider (German: Der Blaue Reiter) is an oil painting executed in Bavaria in 1903 by the Russian emigré artist Wassily Kandinsky. It is now held in a private collection in Zürich, and shares its name with an almanac and the art movement he would co-found with Franz Marc in the early 1910s. Background [ edit]
Wassily Kandinsky The Blue Rider (1903) Wassily kandinsky, Kandinsky, Art history
Wassily Wassilyevich Kandinsky [a] (16 December [ O.S. 4 December] 1866 - 13 December 1944) was a Russian painter and art theorist. Kandinsky is generally credited as one of the pioneers of abstraction in western art. Born in Moscow, he spent his childhood in Odessa, where he graduated from Odessa Art School.
Wassily Kandinsky The Blue Rider (1903) Artsy
The Blue Rider is perhaps Kandinsky's most important painting from the early 1900's, before he had fully developed his abstract style of music as sound. The painting illustrates a rider cloaked in blue, speeding through a greenish meadow.
Modern Art with Professor Blanchard The Blue Rider & Abstraction
After resigning from the Neue Künstlervereinigung-München ("New Artists' Society-Munich"), artists Wassily Kandinsky, Gabriele Münter, and Franz Marc organized a show entitled "First Exhibition by the Editors of the Blue Rider," which was held December 1911 to January 1912 at the Moderne Galerie Tannhäuser, Munich.